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・ Breaking the Taboo (album)
・ Breaking the Wall of Silence
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・ Breaking All the Rules (Peter Frampton album)
・ Breaking All the Rules (She Moves album)
・ Breaking All The Rules (She Moves song)
・ Breaking Amish
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・ Breaking and Entering (film)
・ Breaking and Entering (novel)
・ Breaking and Entering (song)
Breaking Atoms
・ Breaking Away
・ Breaking Away (disambiguation)
・ Breaking Away (TV series)
・ Breaking Bad
・ Breaking Bad (season 1)
・ Breaking Bad (season 2)
・ Breaking Bad (season 3)
・ Breaking Bad (season 4)
・ Breaking Bad (season 5)
・ Breaking ball
・ Breaking Benjamin
・ Breaking Benjamin (EP)
・ Breaking Benjamin discography
・ Breaking Bonaduce


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Breaking Atoms : ウィキペディア英語版
Breaking Atoms

''Breaking Atoms'' is the debut album of American hip hop group Main Source, released July 23, 1991 on Wild Pitch Records. Production for was handled by the group and took place during 1990 to 1991 at Homeboy Studio, Power Play Studios, and Libra Digital in New York City. Recorded during the golden age of hip hop, ''Breaking Atoms'' is distinguished stylistically by its incorporation of jazz and soul music samples.〔 The album has been highly regarded by music writers due mostly to its production, whose heavy and original use of sampling influenced hip hop producers for a considerable portion of the 1990s.
The album has been widely regarded by writers and music critics as a significantly influential album and has been noted for debuting rapper Nas, who appears on the track "Live at the Barbeque".〔〔Scholtes, Peter S. (Review: ''Breaking Atoms'' ). ''City Pages''. Retrieved on 2009-08-15.〕 His contribution to the song was sampled on "Genesis", the intro track to his debut album ''Illmatic'' (1994). ''Breaking Atoms'' has been recognized as one of the most important records in hip hop history, and was out of print in the United States after the demise of Wild Pitch Records in 1997. It was reissued on April 22, 2008 through Fontana Distribution.
==Music==
''Breaking Atoms'' was produced using the E-mu SP-1200.〔 Allmusic's Steve Huey writes that the album's acclaim lies mostly in its production, which popularized a number of now widely imitated techniques. Huey describes that the "intricately constructed tracks are filled with jazz and soul samples, layered percussion, off-kilter sampling effects, and an overall sonic richness."〔 RapReviews' Dan Mennella also notes that the beats are the cornerstone of the record.〔 Dan Nishimoto of PopMatters considers the album's sampling to be "neatly layered, its subject matter is modest, and its overall tone is simply well executed fun."〔 In his book ''Classic Material: The Hip-Hop Album Guide'', Oliver Wang writes that Large Professor as a producer "thinks in complete song structure, never focusing on one single element—a loop, a break—but always juggling them in unison."〔Wang, Oliver, (Classic Material: The Hip-Hop Album Guide ) (published 2003), p. 34, ISBN 1-55022-561-8〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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